The work theme is based on the photography of dancers and their dance movements and how to catch the fastest movement in the best way. The photos of the dancers' movement are interesting as we are talking about the fast movement that we stop with the camera in a fraction of a second, and with the naked eye we cannot register that fast enough. The topic deals with the first beginnings of photography until digital photos as we know today. There are many genres of photography, but only those that relate to the subject of the final work are being processed. There are photographic techniques that allow different approaches and realize different effects in motion recording. In order to realize a technically correct photo, it is first and foremost to match the parameters that affect exposure and composition within the frame, with an iconic or conceptual approach to the image semantics. Lens selection and use of certain camera settings also affect how we want to display a photo. When taking pictures an error may occur in the image, which will also be discussed in this work. For a more detailed understanding of the theme, the concept of dance, the type of dance and the problems we encounter when photographing dancers is defined. Although most dance photographs are realized within a closed space (eg. performances in theaters or some other stage performances), the dance movement is also interesting to show off these frameworks, that is, in an urban environment where a different impression and possible contextualization of work is achieved. Alongside the end are some of the most famous dancer photographers mentioned, along with pictorial examples. The text is corroborated by most of the author's phototos that serve as examples of certain entities being dealt with. At the end of the final work are the author's photographs and their analysis.