The subject of the process of making a digital photographic image goes far into the past, to the very beginning of photography as a creative technique. As digital is trending, it has every right to take on the connotations of novelty, but the pure basics of photography, such as prior knowledge for the profession, still acts as statuq quo. If we create a photographic language such that any other process surpasses the importance of photographing as a generally accepted and unquestionable process, we could find ourselves with a new definition of photography. Since broad availability of digital post-productional techniques, it would be useful to step back from routine-performing and ask questions about effects of post-editing, not just on the perception of a photographic image but also on percieveing everything around us including ourselves. Perception is the key to all cognitions, but also their factor and their image. Not only subjective but also objective ones. Insight into the discussion and research on the post-production processing of the photographic image and each relevant perception, we create an image of the importance of the mentioned. Editing should not necessarily be connected with the notions of positive or negative as connotations, but should be accepted as we accept photography itself, because it is a part of it. Through various methods and approaches, the presence of the connection of technical and conceivable and sometimes incomprehensible has been confirmed. As particularly important to point out, the presence and integration of digital post-production in everyday life has been confirmed.