Over the years many theories about street photography have emerged, due to its numerous aspects, including style, rules and goals, as well as general validity of the style, because this type of photograph should not be taken on the real street, it can be captured and taken indoors, while it is all the public environment in which it is being recorded. Street photography has only one strict rule and it is making of the real mirror of society, unchanged scene with unconscious objects and uninterrupted settings and this is the reason street photography is often described as the sincerest creative form ever made up. The magic of its random interactions with everyday human activity within urban areas is undoubtedly the focal point of this genre. In this final work, it is needed to describe the concept of street photography, explain the notion of the concept and its role in understanding of street photography, explain the development of street photography, as well as representatives of American street and modern interactive photography, and for practical work to create a series of photos on interactive street photography approaches.